Valmont

  • Catwoman #52 review

    Catwoman #52 is a step in the right direction for Tini Howard’s prison based arc, which features a better handle on Selina’s current mental state. Additionally, her fellow inmates are given more to do and now represent Selina’s unique moral philosophies toward thievery and the downtrodden. The subplot with Dario and Eiko Hasigawa doesn’t quite…


  • Catwoman #51 review

    Catwoman #51 delivers a competent, yet wholly predictable prison story as Selina manipulates her way to a position of power among her fellow inmates. Anyone who has even the faintest idea of how prison stories operate will find no surprises in store, leaving readers with a narrative that has little to say. On the positive…


  • Catwoman #50 review

    Catwoman #50 is an energetic, but also unwieldy finale that seeks to wrap up as many plot threads as possible by its final pages. I appreciate Tini Howard’s script letting loose and giving readers a good dose of action, however its most important character beats largely fall flat. It doesn’t help having three different artists…


  • Catwoman #49 review

    Catwoman #49 is the best issue in the series to come out in a while with its solid balance of well executed action sequences and a more nuanced depiction of Selina’s current love life. While the overarching narrative continues to be muddy at best, Tini Howard’s script gives Selina her clearest sense of purpose in…


  • Catwoman #48 review

    Catwoman #48 continues Selina and Valmont’s international adventure as they head to Tuscany to make a bid for Dario’s life. Nico Leon is back on art duties, bringing back the slick aesthetic of the beginning of Tini Howard’s run with mixed results. While the new setting injects some life into the series, Valmont’s love story…


  • Catwoman #47 review

    Catwoman #47 attempts to lighten the atmosphere of the series as Tini Howard sends Selina and Valmont on an international heist in a Swiss ski chalet. The series has struggled to maintain a consistent tone with this issue being a prime example. Caitlin Yarsky’s pencils are very expressive and fun to look at, which puts…


  • Catwoman #46 review

    Catwoman #46 is an emotionally resonant, if not haphazardly plotted chapter that prioritizes Selina’s understanding of herself, particularly in regards to her romantic relationships. The core narrative is underwhelming at this point as it features villains without an ounce of true intimidation. Nonetheless, Tini Howard’s angle on Selina is compelling and Sami Basri’s pencils deliver…


  • Catwoman #45 review

    Catwoman #45 brings the Bat family into the series in a major way with mixed results. While Selina and Bruce’s on again off again relationship has never truly left the series, here Tim, Stephanie, Cassandra, and even Dick Grayson all make appearances. These interactions inject some nuance into Selina’s current headspace, but the narrative stumbles…


  • Catwoman #41 review

    Catwoman #41 eliminates most misgivings I’ve had toward Tini Howard's and Nico Leon’s run to this point. While at times the narrative feels like it bites off more than it can chew, Howard’s script is well-paced, offers thoughtful introspection to less than savory characters, and features slick action sequences to keep the endeavor exciting. I’m…


  • Catwoman #40 review

    Catwoman #40 is a step in the right direction after a shaky start to Tini Howard’s and Nico Leon’s tenure on the series. While Howard’s scripts have a tendency to be heavy on narration, the balance between exposition and action is much more even this time around, letting the series grow into itself as pieces…


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