This is an archive of Batman-News.com from 2010 to 2025. For the latest news, check out BatmanNews.com
15 Years of Coverage (2010-2025)
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Catwoman #55 operates as more of a resetting of the table than the fifth part of a story arc. Tini Howard’s script has more room to breathe now that Selina is out of prison and Nico Leon’s slick aesthetic gets ample opportunity to shine as the series returns to its usual high class environments. Nonetheless,…
Catwoman #54 features several interesting character dynamics that find themselves inelegantly utilized to set Selina on a new path forward. Tini Howard wisely wraps up Selina’s stint in prison, but bites off more than the narrative can chew. Team ups that should be satisfying feel rushed and Selina’s prison friends become largely relegated to background…
Catwoman #53 doesn’t boldly take the series in a new direction, but Tini Howard’s focus on characterization mostly distracts the reader from a narrative treading water. The prison setting isn’t wholly befitting an extended visit from Selina Kyle who’s better suited to sleuth about museums, high roller clubs, or any environment full of riches. However,…
Catwoman #50 is an energetic, but also unwieldy finale that seeks to wrap up as many plot threads as possible by its final pages. I appreciate Tini Howard’s script letting loose and giving readers a good dose of action, however its most important character beats largely fall flat. It doesn’t help having three different artists…
Catwoman #49 is the best issue in the series to come out in a while with its solid balance of well executed action sequences and a more nuanced depiction of Selina’s current love life. While the overarching narrative continues to be muddy at best, Tini Howard’s script gives Selina her clearest sense of purpose in…
Catwoman #48 continues Selina and Valmont’s international adventure as they head to Tuscany to make a bid for Dario’s life. Nico Leon is back on art duties, bringing back the slick aesthetic of the beginning of Tini Howard’s run with mixed results. While the new setting injects some life into the series, Valmont’s love story…
Catwoman #42 delivers a satisfying conclusion for Tini Howard and Nico Leon’s first arc in the series. While Howard’s tendency to put theme first above logic rears its head, the emotional beats do their best to smooth over any narrative contrivances. Meanwhile, Leon’s work maintains its slick aesthetic even if some of the action choreography…
Catwoman #41 eliminates most misgivings I’ve had toward Tini Howard's and Nico Leon’s run to this point. While at times the narrative feels like it bites off more than it can chew, Howard’s script is well-paced, offers thoughtful introspection to less than savory characters, and features slick action sequences to keep the endeavor exciting. I’m…
Catwoman #40 is a step in the right direction after a shaky start to Tini Howard’s and Nico Leon’s tenure on the series. While Howard’s scripts have a tendency to be heavy on narration, the balance between exposition and action is much more even this time around, letting the series grow into itself as pieces…
Catwoman #39 gives Selina Kyle a fresh start back in Gotham City courtesy of Tini Howard and Nico Leon. Howard’s script throws a lot at the reader in this first issue as she carves a new path for Selina in Gotham, while Leon’s art strays from the noir influences of the previous run in favor…
This is an archive of Batman-News.com from 2010 to 2025. For the latest news, check out BatmanNews.com